Charlotte is a mezzo soprano studying for an MMus at the Royal Conservatoire of Scotland, under the tutelage of Elizabeth McCormack. She was recently named as a finalist in the 2021 RCS French Song Prize. Charlotte graduated from the University of Bristol in 2018 with a BA(Hons) in Music, and is a lover of both solo and choral singing, with experience in both fields.
As a scholar at the Junior Royal Academy of Music, she took part in scenes from Pirates of Penzance as Kate, and Eugene Onegin as Larina. With Bristol University, she has performed in Britten’s Turn of the Screw (Mrs Grose), Gilbert and Sullivan’s The Gondoliers (The Duchess), and Mozart’s Don Giovanni (Donna Elvira), as well as in the choruses of Bernstein’s Candide and Handel’s Acis and Galatea. She has also performed Cosi fan Tutte (Dorabella), Gianni Schicchi (La Ciesca) and Dorian Gray (Lady Wooton) with LoveOpera, a company that she co-founded, and was part of the chorus for London Garden Opera’s production of Iolanthe.
Charlotte enjoys directing, having co-directed Cosi fan Tutte with LoveOpera, and taken the helm of BOpS’s HMS Pinafore.
Furthermore, she has sung solos in choral works such as Mozart’s Requiem, Haydn’s Nelson Mass, Bach’s Magnificat and Handel’s Messiah, and has performed professionally with St Martin's Voices. For the 2019-20 academic year, she held alto choral scholarships at St-Martin-in-the-Fields, Trafalgar Square and Sloane Square Choral Society.
Charlotte is extremely grateful to the John Clemence Charitable Foundation for their support.